For those of you who may not know, the NCN is an organization (or "network") of artists who love, practice, and promote the art of caricature. Each year there is a convention and competition over the course of a week, where nearly 200 artists gather to attend workshops, seminars, classes, meet old and new friends, draw, paint, sculpt, and compete for awards or sheer pleasure. It is like nothing else you will ever experience, and I highly recommend anyone even mildly into portraits and/or caricatures, illustration, figurative work, character design, etc... to haul over to caricature.org and sign up. The 17th convention began a few weeks ago in Raleigh, NC. Over 200 people attended, and it was a blast.
This year I finally had a chance to relax a little bit, but still had a lot to do. All professionals that register for the convention are given a wall space, a sort of gallery, to exhibit the work they do over this week. When I finally got the chance to do some drawings, here is what I came up with:
I have to give great credit to Buffalo/San Diego artist Brian Oakes for doing some stellar work, as did many artists. Brian was among my biggest inspirations this year, and his work was hilarious, fun, editorial and original. He inspired the final drawing I did, which happened to be of him (at the very top, "sad eyes").
Jeremy Townsend is another incredible artist whose work is always commenting on the individual (sometimes TOO much... but that's what's great about it). He sees everything and is not afraid to throw it back into your face. Jeremy is a big fella, and has a loud mouth and personality. He's one of my best friends, and I've seen many drawings of him that are so great, it's not easy to figure out how to do something new. I've drawn him once or twice before, but completed only one finished caricature of his face. When I saw him standing from across the room, he made this face... it's the only time he's vulnerable and not "on". He grabs his big beard and tugs it down with his teeeeeeensy little mouth agape, his eyes darting around. He's either contemplating an art supply to go snatch from someone, or getting an idea for a new drawing/thinking of who to take a photo of next. This happens so rarely, but it's a big part of his expression and body language. I tried to figure out how to express to the viewer that he is vulnerable in this one moment... stumped... and thought the ambiguity of the baby was fitting.
Blah blah blah... I know, I'm going on and on about Jeremy and why I did this. Well, to be honest it's the only piece I was VERY excited about, and it's something different from my usual arsenal of styles or techniques. I am a true believer that we are NEVER a master, and always a student (in many ways). As soon as I fall back on old party tricks, I fail as an artist and fail myself. This was a fun painting and I enjoyed the simplicity of the messy, light acrylic paint. When it comes to my own work at this convention, I feel I learned more from creating this piece than I did from all the other ones I did, combined. This is important to me, and I feel it should be to all artists. You should never stop growing, learning and being passionate about all aspects of your work... this keeps you vibrant, excited and fresh.
This year I finally had a chance to relax a little bit, but still had a lot to do. All professionals that register for the convention are given a wall space, a sort of gallery, to exhibit the work they do over this week. When I finally got the chance to do some drawings, here is what I came up with:
I have to give great credit to Buffalo/San Diego artist Brian Oakes for doing some stellar work, as did many artists. Brian was among my biggest inspirations this year, and his work was hilarious, fun, editorial and original. He inspired the final drawing I did, which happened to be of him (at the very top, "sad eyes").
Jeremy Townsend is another incredible artist whose work is always commenting on the individual (sometimes TOO much... but that's what's great about it). He sees everything and is not afraid to throw it back into your face. Jeremy is a big fella, and has a loud mouth and personality. He's one of my best friends, and I've seen many drawings of him that are so great, it's not easy to figure out how to do something new. I've drawn him once or twice before, but completed only one finished caricature of his face. When I saw him standing from across the room, he made this face... it's the only time he's vulnerable and not "on". He grabs his big beard and tugs it down with his teeeeeeensy little mouth agape, his eyes darting around. He's either contemplating an art supply to go snatch from someone, or getting an idea for a new drawing/thinking of who to take a photo of next. This happens so rarely, but it's a big part of his expression and body language. I tried to figure out how to express to the viewer that he is vulnerable in this one moment... stumped... and thought the ambiguity of the baby was fitting.
Blah blah blah... I know, I'm going on and on about Jeremy and why I did this. Well, to be honest it's the only piece I was VERY excited about, and it's something different from my usual arsenal of styles or techniques. I am a true believer that we are NEVER a master, and always a student (in many ways). As soon as I fall back on old party tricks, I fail as an artist and fail myself. This was a fun painting and I enjoyed the simplicity of the messy, light acrylic paint. When it comes to my own work at this convention, I feel I learned more from creating this piece than I did from all the other ones I did, combined. This is important to me, and I feel it should be to all artists. You should never stop growing, learning and being passionate about all aspects of your work... this keeps you vibrant, excited and fresh.
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