Reading the comments on yesterdays post I have come to the conclusion that I need to expand on my concerns about aspects of the Turner Contemporary.
Putting to one side people’s feelings about the building, the art on display its potential in terms of regenerating Margate, there are some problems with the finish and design that need to be resolved.
I wrote to the architects about this recently, here is what I said:
In a message dated 03/05/2011 21:00:42 GMT Daylight Time, michaelchild@aol.com writes:
Please pass this on to David Chipperfield.
In a message dated 03/05/2011 21:00:42 GMT Daylight Time, michaelchild@aol.com writes:
Please pass this on to David Chipperfield.
Hi David I have visited The Turner Contemporary in Margate on three occasions now and have some observations about the building that may interest you.
Some damage has occurred to the polished concrete floors see image 1.
There are some problems associated with the external landscaping, this is a bit of a mixed bag which I will try to explain, it seems to be at odds with the quality, both in terms of design and finish, of the building.
What seems to have been intended is a mixed pedestrian and traffic area between the gallery and the harbour, this should be workable as in terms of vehicle movements this area only leads to a small number of parking spaces.
In practice it is assessed via traffic lights from a busy road, so that vehicles enter it at a considerable speed, I sat outside the gallery for about half an hour and witnessed one near miss and one minor traffic accident. I assume that you didn’t have a hand in this part of the design as part of the roadway uses permeable slabs that have already become badly stained, see image 2.
There has been some attempt at signage, warning pedestrians that what looks and feels like a footpath in fact is quite a dangerous road, see image 3.
There is a sense of something gone awry in this area, it looks alright until one goes to use it, for example there are seats positioned too low to see over the wall which obscures the view of the harbour.
Please accept that this isn’t a criticism of the gallery, which is impressive.
Images attached.
Best regards Michael
I didn’t hear anything for some time so I gave them a bit of a nudge
From: MichaelChild@aol.com [mailto:MichaelChild@aol.com]
Sent: 25 May 2011 11:30
To: Info
Subject: Re: The Turner Contemporary in Margate
Please confirm that you received the email below and passed it on as I asked.
If I don’t hear from you today I will assume you aren’t interested and take the issues up with the county council, the two Thanet MPs art council, media etc.
Best regards Michael
From: MichaelChild@aol.com [mailto:MichaelChild@aol.com]
Sent: 25 May 2011 11:30
To: Info
Subject: Re: The Turner Contemporary in Margate
Please confirm that you received the email below and passed it on as I asked.
If I don’t hear from you today I will assume you aren’t interested and take the issues up with the county council, the two Thanet MPs art council, media etc.
Best regards Michael
This resulted in the following reply:
In a message dated 25/05/2011 16:30:00 GMT Daylight Time, holger.mattes@davidchipperfield.co.uk writes:
Dear Michael, thanks for your input. We are for sure fully aware of the issues.
New parking signage is in the making but we noticed that people tend to ignore the temporary signs put up already. Definitely Thanet needs to improve the parking enforcement and Turner Contemporary are monitoring this.
We fully share your view that clear signage needs to make people aware before they enter the site that there are pedestrians sharing the road.
The stains have been caused by the contractor of the Harbour View scheme and KCC have asked them to execute the required remedial works.
The sea-defense wall and benches in front of our building were outside of our design scope and we agree that this is high and blocks the view.
Regarding the magnesite screed in the building, we are not happy with the swirl marks either, but they luckily occur only in some areas and are overall acceptable we think. There was no option to relay the floor. Also the floors take a long time to dry out and settle and tend to become lighter over time, so what you see now will change over time and wear in.
We appreciate your comments and try to give input where we can to improve the condition.
Regards,
Holger Mattes
Project Architect
for David Chipperfield Architects
11 York Road
London SE1 7NX
T +44 20 7620 4800
F +44 20 7620 4801
holger.mattes@davidchipperfield.co.uk
www.davidchipperfield.com
There is a problem here which is it very uncertain if they have passed the email on to David Chiperfield and if they intend to take any action, so I sent them this further email:
Re: The Turner Contemporary in Margate MichaelChild to holger.mattes and Alison.Smith - yesterdayMore Details From: MichaelChildHide Add to: To Do, Calendar To: holger.mattes CC: Alison.Smith BCC:Date:Thu, 26 May 2011 14:06
Hello Holger I am familiar your work and I guess you would be aware of the problems.
In the short-term traffic coming straight off busy traffic lights is likely to cause a fatality and adverse publicity for all involved. I think a bit more than signage is needed, perhaps some sort of physical traffic calming is needed urgently.
I would say parking enforcement comes a long way down the line, unless you were one of the official visitors at the opening who received a fine notification for parking on the harbour arm.
The height of the wall relates to Wallingfords FRA and isn’t something that can be changed it is just that the benches are sited wrongly.
My understanding of magnesite screed is that it is a polymer and it should be possible to remove the scratches by using an abrasive, I wasn’t suggesting that the whole floor is relaid.
Anyway I will take the issues up in the hope that the situation can be improved in some way.
Can you please confirm that my email was passed on to David Chipperfield as essentially it’s his name that is on the design when it comes to public perception?
Best regards Michael
I suppose ultimately the customer is us the taxpayer, so it is down to us to make a fuss about the things that are wrong with what we have paid for.
I am also not very happy about dealing with people who only reply promptly to some sort of timed warning, needless to say I haven’t had any reply to the email I sent to them yesterday.
I know it is probably petty of me and I am certain that in the high flying world of international architecture emails from a shop assistant probably don’t seem very important, but I don’t like it when I write to one person and another one replies on their behalf, without even telling me if they have passed my correspondence to the person it was intended for.
There is a problem here which is it very uncertain if they have passed the email on to David Chiperfield and if they intend to take any action, so I sent them this further email:
Re: The Turner Contemporary in Margate MichaelChild to holger.mattes and Alison.Smith - yesterdayMore Details From: MichaelChild
Hello Holger I am familiar your work and I guess you would be aware of the problems.
In the short-term traffic coming straight off busy traffic lights is likely to cause a fatality and adverse publicity for all involved. I think a bit more than signage is needed, perhaps some sort of physical traffic calming is needed urgently.
I would say parking enforcement comes a long way down the line, unless you were one of the official visitors at the opening who received a fine notification for parking on the harbour arm.
The height of the wall relates to Wallingfords FRA and isn’t something that can be changed it is just that the benches are sited wrongly.
My understanding of magnesite screed is that it is a polymer and it should be possible to remove the scratches by using an abrasive, I wasn’t suggesting that the whole floor is relaid.
Anyway I will take the issues up in the hope that the situation can be improved in some way.
Can you please confirm that my email was passed on to David Chipperfield as essentially it’s his name that is on the design when it comes to public perception?
Best regards Michael
While I really don’t think these problems should be down to me, basically I think something as important as the Turner Contemporary should have someone looking after these issues.
I am also not very happy about dealing with people who only reply promptly to some sort of timed warning, needless to say I haven’t had any reply to the email I sent to them yesterday.
I know it is probably petty of me and I am certain that in the high flying world of international architecture emails from a shop assistant probably don’t seem very important, but I don’t like it when I write to one person and another one replies on their behalf, without even telling me if they have passed my correspondence to the person it was intended for.



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